Showing posts with label Mao Asada. Show all posts
Showing posts with label Mao Asada. Show all posts

Wednesday, 16 December 2015

Grand Prix Final 2015- Ladies

Evgenia Medvedeva was far and away the best technical skater here. She is still lacking some of the refinement in the skating skills, but she has strong programs with good technical content, and her skating skills are fine, not as good as she was given (high 8s and 9s overall), but good. Her PCSs are definitely inflated, which is my problem with the current judging system. The IJS works in theory, but judges have a tendency to award PCSs for technical skating. When skaters have clean programs, there can be a tendency to award them high PCSs regardless of whether or not the skater has achieved them. I personally would have her pegged generally in the low to mid 7s, and with those, she still would have won, because this is an issue not only with her judging, but the way everyone is judged, especially here.



Satoko Miyahara is one of the most consistent skaters I've seen in a long time. You can count on Satoko to not fall apart in a program. She isn't one of those skaters who falls apart as soon as one thing goes wrong in the program, and that is a rarity in women's skating. It is so nice to see one of the ladies who is so far from being a headcase. You know she has firm technique and skating skills, and she knows she can rely on her training. Yes her jumps are still tiny, but she, unlike other ladies is actually getting her jumps around. She can have a tendency to lip on occasion, but it isn't a consistent problem for her.



Elena Radionova is still skating well, but all I can think about when I see her is how horrendous that freeskate is. The Titanic program is not only terrible for her, because she isn't emoting the right way for that music, but I don't think anyone could make that program good. Can the trend of Sexy Leo Voice go die in a hole somewhere? I don't know who thought that was a good idea, but clearly there were a bunch of coaches and choreographers not taking the hint from the ice dancers that that is not how you use vocals in a program.



Ashley Wagner had a good freeskate, but her short was a disaster. If she could only manage two clean programs and actually do her choreography there would be no stopping her, but she seems mentally incapable of doing two clean programs when the pressure's on. She also has a tendency to cut out her choreography as soon as anything goes slightly wrong in the technical department. She needs to learn to rely on her PCSs when the jumps aren't perfect. She is capable of selling a program even when the jumps aren't working if she just wouldn't give up on the program the second something goes wrong.



Mao Asada is having a rough season. Like Patrick Chan, she didn't come back with a bang. She's not really back to where she was before her year off, and unfortunately, things aren't looking too good for her. She seems far too focused on the triple axel so that when it works she loses focus, and when it doesn't she loses confidence. It seems to have far too much impact on her skating, and if that's the case, I think it needs to go. If she's not going to be able to skate a clean program regardless of what happens with the axel she needs to put it away until she can get her head back on her shoulders and skate like we all know she can.



Gracie Gold like Ashley and Mao needs to get her head on her shoulders. Honestly, the US ladies need a sports psychologist with them to help them understand why they're psyching themselves out. Almost all the US ladies are very talented and capable of being great but crack under pressure. These programs seem better for Gracie than last year, but I really do think to get her out of her head and into the performance, Frank needs to let her skate to whatever pop song is her favourite. If she's skating to music she absolutely loves, rather than music she likes (or doesn't like so much) she may be able to learn to perform and get out of her head a little more. If she's enjoying herself while she's skating I think that'll go a long way to making her a better performer.


Thursday, 12 November 2015

Cup of China 2015- Ladies

Mao Asada made her first appearance at a major event this season. She skated okay, but not exceptionally. The triple axel in the free was great, much better than some of the men at the senior level, but her free fell apart after that a little. She seemed to be so preoccupied with the triple axel that the rest of the program wasn't really there. It was still a good start to her season, and things are looking very good for her at worlds.



Rika Hongo finished in second, behind Mao Asada, but actually won the freeskate. She skated very well, and I enjoy her skating more than I have in the past. Initially, I thought the free was a terrible choice for her, but it was a whole lot better than I had expected. I'm still not entirely sure about Riverdance for her, but it is really not bad. She's skating very well, especially compared to the Russian ladies who largely dominated the field last season.



Elena Radionova had a pretty disastrous short program, but finished third overall, with the second best free. The Titanic program is really not good. She is a very energetic, upbeat skater, if a little wild, and so the dramatic, slow, tragic story of Titanic doesn't work for her. The program isn't structured great, and I could more than do without the sexy Leo voice over the music. I have no clue why sexy Leo voice is a thing this season, but it needs to die sooner than later. Time to scrap the program and start over, especially for Radionova.



Tuesday, 17 March 2015

Looking Ahead- Can You Please Not Skate to That? Carmen

After the year of the Paso, Carmen has been done and not always well. Sometimes Carmen can be done well, but all too often they are the same and completely uninteresting. Carmen has been done essentially the same way for many years, and it has become completely uninteresting.

Over the years, we've seen good, bad, and mediocre Carmen programs. Let's take a look at some of the Carmen programs and compare.

This season alone, far too many times have we heard the music from Carmen.

Some examples include:

Yue Zhao and Xun Zheng


Elena Ilinykh and Ruslan Zhiganshin


Rika Hongo


Takahito Mura


Samantha Cesario


Alexandra Aldridge and Daniel Eaton



There are certainly more of these programs this season, but I think you get the point.

The use of Carmen is far from a new phenomenon, over the years we've seen more than our fair share of Carmen programs.

Tessa Virtue and Scott Moir 2012-2013


Anna Cappellini and Luca Lanotte 2012-2013
(which, let's face it, was a terrible idea for them to skate the same year as Virtue/Moir)




Mao Asada 2005-2006



Evgeni Plushenko 2001-2002


Katarina Witt 1987-1988


Anjelika Krylova and Oleg Ovsiannikov 1997-1998


Yuna Kim 2003-2004


Evan Lysacek 2005-2006


Natalia Bestemianova and Andrei Bukin 1984-1985


Michelle Kwan 1998-1999



Whether you love them or hate them, I think we all can agree, it's time to give the Carmen programs a break, at least for a little while.